by: Henrik Ibsen. A Doll’s House is a play by Henrik Ibsen that was first performed in 1879.
Catherine McCormack (Nora) and Finbar Lynch (Torvald) perform in Henrik Ibsen's 'A Doll's House'. Literature. Written in 1879 by Norwegian playwright Henrik Ibsen, A Doll's House is a three act play about a seemingly typical housewife who becomes disillusioned and dissatisfied with her condescending husband.
Get the entire A Doll's House LitChart as a printable PDF. "My students can't get enough of your charts and their results have gone through the roof." -Graham S. The maid, whose name is Helene, is a servant in the Helmers’ household. The porter delivers the Helmers’ Christmas tree .
Nora - The protagonist of the play and the wife of Torvald Helmer. Nora initially seems like a playful, naĂŻve child who lacks knowledge of the world outside her home.
Torvald Helmer is a lawyer who at the play's outset has recently been promoted to Bank Manager. He is married to Nora Helmer, with whom he has three children.
In A Doll House, we see that Torvald Helmer, the lawyer, is a condescending, selfish, and quite authoritative. He easily becomes the antagonist in the play because of his arrogance and bad treatment towards his wife and his employers.
Rank's contribution to the play consists of stimulating the development of Nora's character and accentuating her conflict. He accomplishes this by characterizing Dr. Rank as a harbinger of Nora's fate and by providing him with a reality parallel to that of Nora.
Unlike Torvald, who seems to desire respect for selfish reasons, Krogstad desires it for his family's sake. Like Nora, Krogstad is a person who has been wronged by society, and both Nora and Krogstad have committed the same crime: forgery of signatures.
In his confession, Dr. Rank reveals his love for Nora to be more honest and real, as the emotion evolved while actually spending time with her.
Linus TorvaldsTorvalds in 2018BornLinus Benedict Torvalds 28 December 1969 Helsinki, FinlandNationalityFinnish (by birth) American (naturalized)Alma materUniversity of Helsinki (M.S.)5 more rows
Why did Torvald leave his office when he married Nora? Torvald needed the possibility of advancement.
At first, Nora's interaction with Dr. Rank is similarly manipulative. When she flirts with him by showing her stockings, it seems that she hopes to entice Dr. Rank and then persuade him to speak to Torvald about keeping Krogstad on at the bank.
Rank's talk of moral disease and his own affliction are often cited as symbolic. He has tuberculosis of the spine. This could possibly be meant to represent the diseased backbone of unenlightened society, a society where men and women don't live as equals. His death also could be seen as symbolic.
Later in the play it is revealed that he was once in love with Kristine Linde, who ended up marrying another man in order to have enough money to support her dying mother and young brothers. This left Krogstad lost and embittered, unhappy in his own marriage, and is presented as the reason behind his moral corruption.
While he thinks that such a bad character is in direct contrast to his “sweet little Nora,” we are aware that Krogstad and Nora have committed exactly the same crime—forgery.
Nora's father is blamed for instilling the values in her personality that lead her to seek independence and abandon her family.
The nursemaid. Nurse to both Nora and Nora's children, the nursemaid, whose name is Anne Marie, is a kind woman who was forced to give up her own child, who it is suggested was born… read analysis of The nursemaid.
Nora Helmer. Nora Helmer is the heroine of the play. Still a young woman, she is married to Torvald Helmer and has three children. At the play’s outset, she is bubbly and carefree, excited about Christmas… read analysis of Nora Helmer.
Nils Krogstad. Nils Krogstad is, at least at the beginning, the antagonist of the play. Known to the other characters as unscrupulous and dishonest, he blackmails Nora, who borrowed money from him with a forged signature… read analysis of Nils Krogstad.
A similar occurrence happens when he finds out about Nora’s secret debt and instantly turns on her until he realizes that his reputation is safe. Torvald's focus on status and being treated as superior by people like Nils Krogstad, highlights his obsession with reputation and appearances.
Torvald Helmer. Torvald Helmer is a lawyer who at the play’s outset has recently been promoted to Bank Manager. He is married to Nora Helmer, with whom he has three children. He does not seem particularly fond of his children, even once saying that their presence makes the house “unbearable to anyone except mothers.”.
When Nora tells him she is leaving him, Torvald at first reacts by calling her mad and saying she is acting like a stupid child. However, when he realizes how resolute she is in her decision, Torvald offers to change and desperately searches for a way to stay with her.
She admits that she was happy to hear about Torvald’s promotion because she hopes that he will help her find a job. (full context) Nora promises to help persuade Torvald to give Mrs. Linde a job. Mrs. Linde thanks her, saying Nora’s behavior is exceptionally... (full context) ...her husband’s back is a rash move.
A fog of lies like that in a household, and it spreads disease and infection to every part of it. Every breath the children take in that kind of house is reeking evil germs. Act Two Quotes. You see Torvald is so terribly in love with me that he says he wants me all to himself.
His best friend is Dr. Rank, who visits him every day. However, towards the end of the play this friendship is revealed to be something of a façade, as Torvald seems untroubled and even a little relieved at the thought of Dr. Rank ’s death.
Torvald says how happy he is to be alone with Nora. Nora asks that he not... (full context) There is a knock at the door, and Dr. Rank announces himself. Torvald is annoyed by the intrusion, but greets Dr. Rank in a friendly way. Dr. Rank... (full context) Torvald goes to the letter box and says he must empty it.
Updated January 28, 2020. In Henrik Ibsen's A Doll’s House, characters use false surfaces and middle class comforts to conceal their struggles and neuroses. As the play unfolds, the characters face the consequences of these suppressed feelings, with each individual handling the consequences differently.
Torvald Helmer is Nora's husband and the newly promoted manager of the local joint stock bank. He routinely spoils Nora and claims to be in love with her, but he talks to down to her and treats her like a doll.
When Nora refuses to do so, he threatens to expose the illegal loan she got from him. As the play progresses, Krogstad's demands escalate, to the point that he also demands a promotion. At the end of the play, Krogstad reunites with Kristine Linde (to whom he was once engaged) and recants his threats to the Helmers.
With nobody left to care for, she feels empty. She asks Nora to intercede for her in asking Torvald for a job, which he is happy to give her, given that she has experience in the field. By the end of the play, Kristine Linde reunites with Krogstad.
After Torvald reads Krogstad’s letter detailing Nora’s crime, he becomes enraged at his wife for committing an act that could damage his own reputation (despite the fact that her goal was to save his life). Nora eventually leaves him, he emphasizes how inappropriate it is for a woman to abandon her husband and children.
He calls her names like “lark" and little squirrel," implying that he considers Nora endearing but not an equal. He was never told exactly how Nora came up with the money for his medical trip to Italy. If he knew, his pride would suffer. Torvald values appearances and formality in society.
The couple did not have enough money, so Nora took out a loan by forging her dead father’s signature, effectively committing fraud to save her husband's health.
Read our full plot summary and analysis of A Doll's House, chapter-by-chapter breakdowns, and more.
See a complete list of the characters in A Doll’s House and in-depth analyses of Nora Helmer, Torvald Helmer, Krogstad, and Mrs. Linde.
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Written in 1879 by Norwegian playwright Henrik Ibsen, "A Doll's House" is a three-act play about a housewife who becomes disillusioned and dissatisfied with her condescending husband. The play raises universal issues and questions that are applicable to societies worldwide.
While Nora still tries to plead her case, Krogstad informs her that he has written a letter detailing her crime and put it in Torvald's mailbox, which is locked. At this point, Nora reverts to Kristine for help, asking her to convince Krogstad to relent. Torvald enters and tries to retrieve his mail.
After Torvald is done with his meeting with Krogstad, Nora asks him if he can give Kristine a position at the bank and Torvald lets her know that, luckily for her friend, a position has just become available and he can likely give Kristine the spot.
While at Krogstad’s to plead Nora’s case, Kristine tells him that she only married her husband because it was convenient for her, but now that he is dead she can offer him her love again. She justifies her actions by blaming them on dire financial straits and being lovelorn. This makes Krogstad change his mind, but Kristine determines that Torvald needs to know the truth anyway.
Kristine is in town looking for a job, as her husband died leaving her with no money or children, and now she feels “unspeakably empty” despite not feeling any grief. Nora reveals some hardship she and her husband faced in the past when Torvald became sick and they had to travel to Italy so he could recover.
Act I. It’s Christmas Eve and Nora Helmer has just returned home from a Christmas shopping spree. Her husband Torvald teases her for her largesse, calling her "little squirrel.”. The Helmers’ financial situation changed in the past year; Torvald is now up for a promotion, and for this reason, Nora thought that she could spend a little more. ...
She needs to get away from her family in order to understand herself, as all her life —first from her father, and then by her husband—she’s been treated like a doll to play with. Torvald brings up his concern with reputation again, and insists that she fulfill her duty as a wife and mother.
Ibsen’s A Doll’s House and morality. Ibsen’s. A Doll’s House. and morality. In A Doll’s House (1879), Ibsen takes aim at an outmoded sense of morality. In the following excerpt, Torvald Helmer is lecturing his wife on morality, which for him is strongly gendered. The wife is primarily responsible for the generational transmission of morality .
When she sees her husband’s true, selfish, ignorant nature, Nora questions what she learned of religion and the law.
The law does not derive from God or nature; it is contingent and could always be other than it is. So where previously the concepts of morality, duty, law, religion were tightly bound together, these things have been scattered in all directions.
Krogstad’s role in the play is that of a catalyst in bringing about the transformation of Nora, as it is his letter and Helmer’s reaction to it that brings her down to earth and makes her realize the true nature of her husband.
Nils Krogstad is one of the secondary characters in the play, but important nonetheless. He holds a position subordinate to that of Helmer in the Bank and is initially portrayed as an unscrupulous, dishonest, and unsympathetic man. Even before his entry into the play, he is painted as a typical villain, cruel, and devoid of morals.
Helmer, on several occasions, expresses his disapproval of Krogstad’s character, calling him “a man without scruples.”. He believes that an atmosphere of lies, like that of Krogstad’s house, “infects and poisons the whole life of a home.”. Helmer also remarks that Krogstad will make his position in the Bank “quite intolerable.”.
Krogstad has a criminal record of having committed forgery, and is thus extremely protective about his position in the bank, as he finds it extremely important to hold a respectable position in the bank in order to redeem himself. When he finds out that his position in the bank is in jeopardy, he holds Nora responsible for it ...
Consequently, Krogstad writes a letter to Helmer taking back his threat, and apologizes for it. Thus Krogstad is a highly misunderstood character, scorned by most of the other characters in a play, but who is actually an ordinary human being in a desperate situation.
Ibsen's "A Doll's House": Analysis & Summary. It is thus seen that Krogstad is actually quite practical and mature, and not as crooked or dishonest as he is portrayed to be. An important aspect of Krogstad’s character is his redemption after reuniting with Mrs. Linde.
Thus, the weak, unassertive, dependent, and secretive part of herself is in reality her character as the doll, which she forsakes as soon as she realizes that being Helmer’s doll is serving her no purpose, and doing her more harm than good. Nora is a symbol for feminism, and for every oppressed woman who is patronized and denied her independence ...
Nora presumes and dreads that once her crime is revealed, Torvald will take the blame on himself and even go to the extent of taking his own life. This shows that Nora trusts her husband, despite his dominating and patronizing nature. “He’d really do it- he’d do it! He’d do it in spite of everything.”.
She lives like a doll in a doll-house, and her character serves as a symbol for every oppressed woman who is restricted from living a free life. In the beginning of the play, Nora is shown as rather a submissive, childish woman, who enjoys being patronized, pampered and treated like a defenseless animal. She seems happy and doesn’t seem ...
Nora also displays a bit of self-doubt, which is largely due to her being treated like a doll all her life. She is continuously reminded by Torvald that she is a “prodigal”, a spendthrift, “just like your father”. She expresses her lack of self-confidence when she says to her husband, “I wish I had inherited more of papa’s good qualities.”.