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Old school cartoons weren't particularly interested in continuity, meaning that Wilma Flintstone's portrayal across thirteen animated series, three theatrical films, and numerous television specials has varied widely. We are counting down 20 Things That Make No Sense About Wilma Flintstone.
Note, in the early Flintstones episodes, the more recognized "Mr. Slate" character was known as "Mr. Rockhead" and was a supervisor of Fred's. Mr. Slate was a short character. During the course of the cartoon, the two men switched identities and the shorter character faded away from existence.
The premise itself is interesting-a comedy series about a stone age family who lead simple and carefree lives. The funniest thing was how the Flinstones used to use animals as everyday objects.
^ For example, an episode of the 1987 series Mighty Mouse: The New Adventures ("Don't Touch That Dial!") has the title character mocking The Flintstones, which appears in a satirical crossover with The Jetsons, as stupid. ^ Barrier, Michael (January 6, 2008). "The Book as Toy". Michael Barrier. Retrieved March 5, 2021. ^ "9. The Flintstones".
Baby Puss – The Flintstones' pet saber-toothed cat is rarely seen in the actual series, but is always seen throwing Fred out of the house during the end credits, causing Fred to pound repeatedly on the front door and yell "Wilma!", waking the whole neighborhood in the process.
In Canada, Flintstone Park in Kelowna, British Columbia, opened in 1968 and closed in 1998; it was notable for the "Forty Foot Fred" billboard of Fred Flintstone which was a well-known Kelowna landmark. Another Flintstones park was located in Bridal Falls, British Columbia, which closed in 1990.
The Flintstones, the Rubbles, and the Gruesomes were able to drive them away by performing the Four Insects song "She Said Yeah Yeah Yeah". When they found that the Bedrock World's Fair was having the Four Insects performing, the Hatrocks fled back to Arkanstone.
The Pebbles and Bamm-Bamm Show. Related shows. Cave Kids (spin-off) The Flintstones is an American animated sitcom produced by Hanna-Barbera Productions. The series takes place in a romanticized Stone Age setting and follows the activities of the titular family, the Flintstones, and their next-door neighbors, the Rubbles.
The Flintstones was the most financially successful and longest-running network animated television series for three decades, until The Simpsons, which debuted in late 1989, outlasted it. In 2013, TV Guide ranked The Flintstones the second-greatest TV cartoon of all time (after The Simpsons ).
Another one near Williams, Arizona, is still open for the summer of 2019, but slated to close by 2020. It cost $5 per person to get in. Both have been in operation for decades. Bedrock City, also known as Flintstone Park, closed in August 2015.
Miles Laboratories (now part of Bayer Corporation) and their One-A-Day vitamin brand was the alternate sponsor of the original Flintstones series during its first two seasons, and in the late 1960s, Miles introduced Flintstones Chewable Vitamins, fruit-flavored multivitamin tablets for children in the shape of the Flintstones characters, which are still currently being sold.
This popular animated television cartoon featured two Stone Age families, the Flintstones and their neighbors, the Rubbles.
Fred and Wilma Flintstone were the first animated married couple ever shown on American television in the same bed together. They have been mistaken as the first couple ever shown in bed together on any American TV show, but that title goes to Mary Kay and Johnny (1947).
What is the Japanese language plot outline for The Flintstones (1960)?
The idea of The Flintstones started after Hanna-Barbera produced The Huckleberry Hound Show and The Quick Draw McGraw. Although these programs were successful, they did not have the same wide audience appeal as their previous theatrical cartoon series Tom and Jerry, which entertained both children and the adults who accompanied them. However, since children did not need their parents' supervision to watch television, Hanna-Barbera 's output became labeled "kids only". Barbera and Hanna wanted to recapture the adult audience with an animated situation comedy.
Following the show's cancellation in 1966 , a film based upon the series was created. The Man Called Flintstone was a musical spy caper that parodied James Bond and other secret agents. The movie was released to theaters on August 3, 1966 , by Columbia Pictures.
Barbera and Hanna experimented with hillbillies (a hillbilly theme was later incorporated into two Flintstones episodes, " The Bedrock Hillbillies " and " The Hatrocks and the Gruesomes "), Romans (Hanna-Barbera eventually created The Roman Holidays ), pilgrims, and Indians as the settings for the two families before deciding on the Stone Age.
Reception. The night after The Flintstones premiered, Variety magazine called it "a pen and ink disaster", and the series was among many that debuted in a " vast wasteland " of a 1960–61 television season considered one of the worst in television history up to that point.
Bedrock (sequel series) The Flintstones is an American animated sitcom produced by Hanna-Barbera Productions. It was originally broadcast on ABC from September 30, 1960, until April 1, 1966, as the first prime-time animated series geared for adults, while also watchable for kids, too, having been repeated on Cartoon Network and Boomerang .
Syndication. The first three seasons of The Flintstones aired Friday nights at 8:30 Eastern time on ABC, with the first two seasons in black-and-white. Beginning with the third season in 1962, ABC televised the Flintstones in color, one of the first programs in color on that network.
One example is Granite Hotel including characters such as a newsboy, telephone operator, hotel clerk, and a spoof of Edgar Bergen and Charlie McCarthy.
Enter The Flintstones, a series about the modern Stone Age family. While the idea of a sitcom centered on cavemen and rock puns sounds ridiculous, The Flintstones become a massive success and found its way into the pop culture landscape.
The famous Flintstones closing credits sequence isn't just notable for showcasing one of the most catchy television theme songs this side of The Office . It also creates a bit of a head-scratcher: where did that cat go? The sequence famously shows the Flintstones having a clever prehistoric cat that locks Fred out of his own house, prompting him to yet "Willma!" a moment which strangely recalls Marlon Brando yelling "Stella" in A Streetcar Named Desire, though it's a touch more PG. Yet, that cat disappears from the series without explanation. The Flintstones' pet dog/dinosaur Dino must not have got along with his feline counterpart. Fred and Wilma didn't have a problem keeping a dinosaur around their toddler, but getting a "dog" and a cat to coexist was apparently t0o much trouble.
The live action movie The Flintstones in Viva Rock Vegas, a film which flopped so badly that the Flintstones franchise has been in hibernation for nearly two decades, depicts Fred and Wilma meeting for the first time as adults.
Over the past fifty years, countless people have realized that The Jetsons and The Flintstones are extremely similar shows - they both transplant 1950's sitcom tropes into a different, far off time period. The folks at Hanna-Barbera were certainly aware of the similarities, as The Jetsons was conceived to capitalize on the success of The Flintstones. In 1987, the studio released the most obvious cartoon crossover of all time: The Jetsons Meet the Flintstones, a time travel television special that puts America's most famous (PG-rated) animated families together. The issue with this is that the film allows time travel to happen without depicting any butterfly effect changes to the world. The film puts Marty McFly and The Terminator to shame.
Stylization is an essential part of animation. After all, if animation always looked exactly like real life, what would be the point of the medium? The Flintstones, however, contains some odd stylization that warrants some explanation. Wilma Flintstone and Barney Rubble have beedy little dot eyes without pupils while Fred, Betty, and most other characters on the show have more realistic eyes. Why is there this difference? Did the animators at Hanna-Barbera get tired of drawing regular eyes or run out of white paint? The latter explanation is plausible, given that the Hanna-Barbera studio never invested as much money in their cartoons as their rivals over at Walt Disney Pictures, even as Disney was going through a financial slump during the 1960s.
The Flintstones version of the tale suffers from a logical problem that the others don't. In A Flintstone's Christmas Carol, Wilma, Fred, and company act out the Dickens novella as part of a Christmas pageant, centuries before Dickens was born.
In 1987 , the studio released the most obvious cartoon crossover of all time: The Jetsons Meet the Flintstones, a time travel television special that puts America's most famous (PG-rated) animated families together.
The Flintstones is an American animated sitcom produced by Hanna-Barbera Productions. The series takes place in a romanticized Stone Age setting and follows the activities of the titular family, the Flintstones, and their next-door neighbors, the Rubbles. It was originally broadcast on ABC from September 30, 1960, to April 1, 1966, and was the first animated series to hold a prime-time sl…
The show is set in a comical version of the Stone Age, but has added features and technologies that resemble mid-20th-century suburban America. The plots deliberately resemble the sitcoms of the era, with the caveman Flintstone and Rubble families getting into minor conflicts characteristic of modern life. The show is set in the Stone Age town of Bedrock (pop. 2,500). Dinosaurs and other prehistoric creatures are portrayed as co-existing with cavemen, saber-toothed cats, and woolly …
• Fred Flintstone – The main character of the series and the husband and father in the title family, Fred is an accident-prone operator of a bronto-crane (a Brontosaurus used as an excavating machine) at the Slate Rock and Gravel Company who is overweight and likes to eat copious amounts of marginally healthy or unhealthy food. He is quick to anger (usually over trivial matters) but is a very loving husband and father. He is also good at bowling and is a member of the fictio…
• Alan Reed – Fred Flintstone, Uncle Ghastly
• Jean Vander Pyl – Wilma Flintstone, Pebbles Flintstone
• Mel Blanc – Barney Rubble, Dino, Zack Hatrock
• Daws Butler – Barney Rubble (season two; episodes 1, 2, 5, 6, and 9 only)
Fred Flintstone physically resembles both the first voice actor who played him, Alan Reed, and Jackie Gleason, whose series, The Honeymooners, inspired The Flintstones. The voice of Barney Rubble was provided by voice actor Mel Blanc, except for five episodes during the second season (the first, second, fifth, sixth, and ninth); Hanna-Barbera regular Daws Butler filled in and provided the voice of Barney while Blanc was incapacitated by a near-fatal car accident. Blanc was able t…
The opening- and closing-credits theme during the first two seasons was called "Rise and Shine", a lively instrumental underscore accompanying Fred on his drive home from work. The tune resembled "The Bugs Bunny Overture (This Is It!)", the theme song of The Bugs Bunny Show, also airing on ABC at the time, and may have been the reason the theme was changed in the third season. Starting in season three, episode three ("Barney the Invisible"), the opening- and closing …
The idea of The Flintstones started after Hanna-Barbera produced The Huckleberry Hound Show and The Quick Draw McGraw Show. Although these programs were successful, they did not have the same wide audience appeal as their previous theatrical cartoon series Tom and Jerry, which entertained both children and the adults who accompanied them. Since children did not need their parents' supervision to watch television, though, Hanna-Barbera's output became labeled "kids o…
The night after The Flintstones premiered, Variety called it "a pen-and-ink disaster", and the series was among many that debuted in a "vast wasteland" of a 1960–61 television season considered one of the worst in television history up to that point. As late as the 1980s, highbrow critics derided the show's limited animation and derivative plots. Animation historian Michael Barrier disliked the series, calling it a "dumb sitcom" and stated that "I can readily understand why some…